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Grateful Dead Live at Capitol Theatre on 1978-11-24


Topics Soundboard


Set 1

Jack Straw
Sugaree
Me And My Uncle ->
Big River
Stagger Lee
Passenger
Candyman
New Minglewood Blues
From The Heart Of Me
Loser
The Promised Land

Set 2

I Need A Miracle ->
Good Lovin'
Friend Of The Devil
Estimated Prophet ->
Shakedown Street ->
Drums ->
Ollin Arrageed ->
Fire On The Mountain ->
Sugar Magnolia

Encore
Johnny B. Goode


Collection GratefulDead
Band/Artist Grateful Dead
Venue Capitol Theatre
Location Passaic, NJ

Source SBD>>MR>>DAT>>CDA

Notes

(*) From FM source.

Reviews

Reviewer: erik65 - - March 19, 2008
Subject: 11-24-78
Be warned: this is, what I remember as "the night Jerry's voice barely worked at all." It's just too painful for me to listen to, because I can't help think of what it must have felt like. That ruins the performance for me. 0 stars.

The sound quality is fine, but it is an FM source, so you're going to hear some DJ come on at some points and do a station identification. I don't know if it's fair to take away a star because of it, but I only sampled the sound, so...4 stars.
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Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=15076) SBD>MC>DAT>CDR; Via Paul G; Seeded by T. Wiley + AUD (shn id 90976) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin
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Source: nak 300/cp4 (@ board, 12') > tcd5m (tdk mar 90 +dolby)
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Source: lineage: sennheiser 421 (fob)> d-5> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
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Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=110519) Recording Info: SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; Transfers and Mastering By Charlie Miller + AUD (shn id 91996) Sennheiser ME-80's>Technics SV-MD1
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Source: First Generation Cassettes From Unknown Mics/Deck>Unknown Original Copy Decks/Info; Tapes From White,Transfer By Keo; Tapes Maxell XLII Gold 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
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Source: (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Tape flip in drums at 5:35 spliced using Soundforge 9.0. Recorded FOB from Section 63, Row J, Seat 12 by Bob Morris.
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Source: Neumann KM-150's > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 5-feet high.
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Source: Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4s> (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M,Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48>HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging By Keo